This week’s lecture focused on narrative structure and film editing as key foundations of effective storytelling. It introduced classical narrative models such as the three-act and five-act structures, highlighting the importance of establishing context, developing conflict, and achieving narrative resolution. Drawing on Paul Wells’ theories of animation, the lecture emphasised the need for creators to understand the language of the medium and to transform observation and experience into engaging narratives.
The editing section examined editing as a primary tool for constructing narrative continuity and guiding audience engagement. Through techniques such as continuity editing, montage, and the organisation of spatial and temporal relationships, editing helps shape narrative clarity, rhythm, and emotional impact. Overall, the lecture demonstrated how narrative structure and editing work together to support clear, compelling, and emotionally effective storytelling, particularly in animation.