Planning:
My work:
In the bouncing exercise with the squirrel-tail ball, I focused on the follow-through and secondary motion between the character’s actions and the prop. The ball’s delay, swing, and rebound during the bouncing process provided clear rhythmic references for the character’s movement, helping me better understand the relationship between primary action and secondary motion. By continuously adjusting the bounce height and timing, I realized that follow-through not only enhances the sense of realism but also adds vitality to the overall animation. This exercise made me aware that well-designed secondary motion can enrich action layers and make character movement more natural and expressive.